When painting, I need to ensure correct proportions or images feel off. This painting was based on a street mural in my hometown.
When doing swordplay, geometry is fundamental to personal safety. Timing for sword strikes must have rhythm in mind just like music and dance.
This weeks activities involve creating a list of referents just like the pioneers who needed to construct their own shacks on their own. The use of imperial makes sense on a personal level, but the use of metric makes much more sense with our ever expanding global connections.
Knowing the particular "measures" in swordplay.
Not being able to strike your opponent is called being "out of measure" or fuori di misura.
The farthest distance where you could strike is called "widest measure" or Misura Larghissima.
The distance where you could strike without moving your feet is called "narrow measure" or Misura Stretta.
The distance where you could strike with a backstep (or retreating step) is called "narrowest measure" or Misura Strettisima.
Lunging form.
Each of these measures differs by a "foot" length (or one advancing step with the front foot). In my case, it's 26 cm! I haven't calculated it before, but I've certainly used exactly this form of body measurement to keep myself at safe distances during swordplay.
What do we mean when we understand something? This is a goal of Roger Antonsen's TEDtalk Math is the hidden secret to understanding the world. He claims that understanding has to do with the ability to change your perspective. We use metaphors and analogies to relate one thing to something we already know creating a narrative. This storytelling helps us to see how things connect relationally - it requires imagination to see what you cannot experience! Then, in a beautiful twist, Roger reveals that empathy is seeing a new perspective from the eyes of someone else to understand their situation. Mathematics can help develop the skills required to be more empathetic and understanding not just of the abstract and complex, but of something emotional.
This connection between Antonsen (2016) and Nathan (2021)'s paper is strong with both of them focusing on metaphors to gain deeper understanding. Thinking about an analogy to these concepts of understanding, experience and teaching: student understanding is like a functional protein in biology. It's built of amino acids which are the interpretation of codons - a triplet nucleotide sequence. The nucleotide sequence is a massive string of information that is given by parents, altered by experiences/lifestyle.
Protein = understanding
Amino acids = scaffolded information / linking metaphors / stories
Nucleotides = past experiences
At each step volumes of information are interpreted for the next level of interpretation, until finally that protein or "understanding" can be used on its own as a tool for something greater.
Just some thoughts!









Hi Oliver, I really enjoy the example of how measurement is used in swordplay! It's really great to see how the idea of personal units works in a practical situation. Although I'm not familiar with swordplay, I took drama when I was in high school, and we did learn a little bit about how to act with a sword on the stage! It's a great experience that everyone needs to discuss with their partner on how far the sword can go (and to which position) to make sure the actor is not getting "hurt" but looks like a good "fight" on stage. I remembered we used our arms and feet to measure and label the position in rehearsals. Now I realized it is math!
ReplyDeleteYour example of swordplay as an embodied mathematical practice is fascinating. The way distance, timing, and geometry are understood through the body rather than through symbols strongly reflects the idea of first-order experiences discussed by Nathan (2021). The quote you highlighted, “understanding has to do with the ability to change your perspective,” also stood out to me. Understanding is shaped by personal, cultural, and embodied experiences, which means no two people understand something in exactly the same way. At the same time, the ability to shift perspective whether by using metaphors, analogies, or embodied experiences, signals a deeper level of learning. It suggests not only grasping an idea personally, but also being able to adapt one’s thinking to connect with others. Seeing understanding as something that can be experienced, enacted, and reimagined aligns well with both Antonsen’s and Nathan’s arguments. It reinforces the idea that learning mathematics is not only about mastering abstract symbols, but also about developing flexibility and sensitivity to different ways of knowing.
ReplyDeleteI know it's not the point, but you are a really good painter!
ReplyDeleteGreat discussion, and I can't wait to see where you take the ideas of swordplay and geometry -- and perhaps painting, Oliver!
ReplyDelete